Bessie - Puppet Design/Fabrication

PUPPET FABRICATION/DESIGN: Lindsey Silver PUPPETEER: Shaun Katz

MENTOR: Rob Cutler


For my senior Capstone Project, I wanted to explore the design and fabrication process for a full body puppet. Bessie is from Sometimes the Rain, Sometimes the Sea by Julia Izumi. Her character is very flirty, confident, and a cow. Throughout the script, Bessie is required to have full usage of her hands and full mobility to run across the stage - these needs were the starting point for the design. The visual element of the story-page fabric represented Bessie being a character from a story within a story. I wanted it to be very obvious that she was not a real cow but was a cow from a story. This puppet was never used for actual stage production, all photos and video are from my final Capstone presentation.

Initial Sketches

A sandwich board body allowed for free movement of the puppeteer’s arms when necessary. The attached head was a standard hand and rod style puppet with a hand-operated mouth plate that showcased the character and brought the lines through the character. The hat connected to the head of the cow via fishing line and it allowed the puppet head to remain “alive” while the puppeteer freely used their arms.

Process

The puppet body was created with bamboo that was bent with a heat gun and paper-mached to create a structured layer. The head fabrication was the standard puppet method of clay sculpture for patterning and then reticulated foam glued together. The story-page fabric was draped and hand sewn onto both the head and the body. Her eyes are a classic ping-pong with painted pupils. Spots were a late addition done with watered-down ink to create a more recognizable cow look.